"Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo)" by Arcangelo Corelli, Ottavio Dantone, Stefano Montanari was released on November 7, 2006. With this song being about 5 minutes long, at 5:00, "Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo)" by Arcangelo Corelli, Ottavio Dantone, Stefano Montanari is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 60 in Corelli: Violin Sonatas Op. 5, Nos. 1-12 by Arcangelo Corelli, Accademia Bizantina, Stefano Montanari, Ottavio Dantone. Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo) by Arcangelo Corelli, Ottavio Dantone, Stefano Montanari is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in C Major, Op. 1, No. 3, RV 61: IV. Sarabanda (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: II. Allegro | Nicola Porpora, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Concerto for Violin and Organ in D Minor, RV 541: I. Allegro | Antonio Vivaldi, Accademia Bizantina, Stefano Montanari, Ottavio Dantone | D♭ Minor | 1 | 12A | 100 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
Concerto in F Major, S. 235: 3. Presto | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 114 BPM | ||
12 Trio Sonatas, Op. 1, No. 7: I.-III. Allegro - Grave - Allegro | Arcangelo Corelli, Simon Standage, Michaela Comberti, Nigel North, Trevor Pinnock | E♭ Major | 0 | 5B | 104 BPM | ||
Trio Sonata in C Minor, FaWV N:c2: III. Largo | Johann Friedrich Fasch, London Baroque | E♭ Minor | 1 | 2A | 82 BPM |
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