"Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce" by William Boyce, Aradia Ensemble, Kevin Mallon was released on May 1, 2005. The duration of Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Boyce: Symphonies Nos. 1-8, Op. 2 by William Boyce. Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce by William Boyce, Aradia Ensemble, Kevin Mallon is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Suite Nr. 2 H-moll - 6. Polonaise - Arrangement Für Flöte Und Orchester | Philippe Racine, Simon Preston, English Chamber Orchestra | B Minor | 1 | 10A | 0 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 0 | 3B | 74 BPM | ||
Symphony No.1 in B flat Major: 3. Allegro | William Boyce, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 60 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM |
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