- BPM
- 136
- Key
- E♭ Minor
- Camelot
- 2A
Pygmalion: Overture - Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset Information
- Acousticness
- 94%
- Danceability
- 42%
- Energy
- 11%
- Instrumentalness
- 2%
- Liveness
- 9%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 55%
- Popularity
- 19%
- Loudness
- -22.342 dB
Summary
Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset made "Pygmalion: Overture" available on January 1, 1997. With this song being about 5 minutes long, at 4:36, "Pygmalion: Overture" by Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Rameau: Overtures". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Pygmalion: Overture's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Pygmalion: Overture BPM
With Pygmalion: Overture by Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Pygmalion: Overture Key
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 78 BPM | |
 | Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | |
 | Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | |
 | Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | |
 | Concerto in F Major, BWV 1053R: II. Siciliano | Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 1 | 7A | 143 BPM | |
 | Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | |
 | 8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | |
 | Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM | |
 | Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | |
 | Les Paladins: Overture - Menuet - Air gai | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Major | 1 | 5B | 174 BPM |
- ISRC
- GBF079642613
- Label
- L-M Records/RCA Records
Section: 0.6044204235076904
End: 0.6085515022277832