Tarquinio Merula, London Baroque made "Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona" available on November 6, 2012. The duration of Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Trio Sonata in 17th-Century Italy". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. The popularity of Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona by Tarquinio Merula, London Baroque having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Musicalische Ergötzung: Partie I in F-dur | Johann Pachelbel, Charles Medlam, London Baroque | E Major | 2 | 12B | 103 BPM | ||
Premier Concert: Allemande - Légèrement (Couperin) | Le Concert Des Nations, Jordi Savall | D Minor | 2 | 7A | 167 BPM | ||
Ciaconna - After Bertali, Merula & Monteverdi | Tabea Debus, Alex McCartney, after Antonio Bertali, Tarquinio Merula, Claudio Monteverdi, Jonathan Rees | F♯ Major | 2 | 2B | 109 BPM | ||
La Superbe: VI. Gayement | François Couperin, London Baroque | A♭ Major | 3 | 4B | 91 BPM | ||
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: III. Cantabile | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Trio Sonata in C Minor, FaWV N:c2: III. Largo | Johann Friedrich Fasch, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto in D Major for 2 Violins, Lute and Basso, RV 93: II. Largo | Antonio Vivaldi, L'Arte dell' Arco, Diego Cantalupi, Federico Guglielmo | D Major | 1 | 10B | 69 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM |
Section: 0.5744891166687012
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