Tabea Debus, Alex McCartney, after Antonio Bertali, Tarquinio Merula, Claudio Monteverdi, Jonathan Rees made "Ciaconna - After Bertali, Merula & Monteverdi" available on August 28, 2020. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Ohrwurm". In this album, this song's track order is #1. In terms of popularity, Ciaconna - After Bertali, Merula & Monteverdi is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ciaconna - After Bertali, Merula & Monteverdi by Tabea Debus, Alex McCartney, after Antonio Bertali, Tarquinio Merula, Claudio Monteverdi, Jonathan Rees having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: II. Bergerie. Un peu vivement | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 1 | 11B | 72 BPM | ||
Concerto for Recorder, Strings & Continuo in F Major: II. Largo | Giuseppe Sammartini, La Serenissima, Adrian Chandler, Tabea Debus | A Minor | 1 | 8A | 99 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
Airs for the Autumn: Marvel of Peru: II. Comic: Allegro ma non presto | James Oswald, The Broadside Band | F♯ Major | 3 | 2B | 121 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Circe: X. Deuxième Menuet pour les mêmes | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | C Minor | 0 | 5A | 101 BPM | ||
Troisième Livre de Sonates, Op. 3, Flute Sonata No. 2 in B Minor: I. Andante e spicato | Michel Blavet, Tabea Debus, Lea Rahel Bader, Kohei Ota, Jan Croonenbroeck | A Major | 1 | 11B | 71 BPM | ||
Violin Sonata No. 1 in D Minor: V. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM | ||
Fantasies and Preludes, Giedde I.45: Vivace alla Francese | Johann Joachim Quantz, Dorothee Oberlinger | A Major | 0 | 11B | 79 BPM | ||
Sett in D Minor, Op. 2: V. Jigg | James Paisible, Musica Barocca | E Major | 1 | 12B | 123 BPM |
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