La Superbe: VI. Gayement
François Couperin, London Baroque
Trio Sonata In 17th-Century France
1:09 April 1, 2005
BPM
91
Key
A♭ Major
Camelot
4B

Embed

Share Link

La Superbe: VI. Gayement - François Couperin, London Baroque Information

Acousticness
84%
Danceability
56%
Energy
32%
Instrumentalness
0%
Liveness
6%
Loudness
78%
Speechiness
5%
Valence
70%
Popularity
Loudness
-13.276 dB

Summary

François Couperin, London Baroque made "La Superbe: VI. Gayement" available on April 1, 2005. With La Superbe: VI. Gayement being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #13. In terms of popularity, La Superbe: VI. Gayement is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

La Superbe: VI. Gayement BPM

With La Superbe: VI. Gayement by François Couperin, London Baroque having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

La Superbe: VI. Gayement Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les plaisirs: Sarabande by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLes plaisirs: SarabandeJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Minor011A144 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)Wilhelm Kempff, Christoph Willibald Gluck, Idil BiretF Major07B81 BPM
Orfeo ed Euridice: Melody (arr. G. Sgambati) by Giovanni Sgambati, Christoph Willibald Gluck, Jura MargulisOrfeo ed Euridice: Melody (arr. G. Sgambati)Giovanni Sgambati, Christoph Willibald Gluck, Jura MargulisD Minor07A71 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 by Luc BeauséjourThe Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846Luc BeauséjourB Major31B78 BPM
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre by François Couperin, Iddo Bar-ShaïLe Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livreFrançois Couperin, Iddo Bar-ShaïC Major38B145 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853Daniel BarenboimA♭ Minor01A70 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro by Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : II. AllegroArcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella IstropolitanaA Major311B131 BPM
Kitsch-Musik: III. Allegretto by Valentin Silvestrov, Elisaveta BluminaKitsch-Musik: III. AllegrettoValentin Silvestrov, Elisaveta BluminaE♭ Major05B65 BPM
Poulenc: Cello Sonata, FP 143: II. Cavatine by Francis Poulenc, Daniel Müller-Schott/Robert KulekPoulenc: Cello Sonata, FP 143: II. CavatineFrancis Poulenc, Daniel Müller-Schott/Robert KulekF♯ Major02B77 BPM
Waldszenen, Op. 82: I. Eintritt im Walde by Robert Schumann, Arcadi VolodosWaldszenen, Op. 82: I. Eintritt im WaldeRobert Schumann, Arcadi VolodosB♭ Major06B113 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6693985462188721

End: 0.6738572120666504