Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel made "Concerto in F Major, S. 235: 3. Presto" available on January 1, 1993. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel's "Heinichen: Dresden Concerti" album is number 7 out of 50. In terms of popularity, Concerto in F Major, S. 235: 3. Presto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto in F Major, S. 235: 3. Presto by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 1, No. 2: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 140 BPM | ||
La Vanità del mondo, Parte prima: XVIII. Aria "Piacere che muore" (Grazia) | Pietro Torri, Ingrid Schmithusen, Musica Antiqua Köln, Reinhard Goebel | C Major | 2 | 8B | 100 BPM | ||
Concerto a cinque No. 5, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A♭ Minor | 1 | 1A | 97 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Burkhard Glaetzner, Christine Schornsheim, New Bach Collegium Musicum Leipzig, Max Pommer | D Minor | 1 | 7A | 139 BPM | ||
12 Flute Sonatas (1724): Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 65 BPM | ||
Concerto grosso No. 9 in F Major, Op. 6: II. Allemanda (Allegro) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | E Major | 3 | 12B | 114 BPM | ||
Ouverture G Major - Strings & B.C., Seibel 206 | Johann David Heinichen, Il Fondamento, Paul Dombrecht | D♭ Major | 2 | 3B | 140 BPM | ||
Pieces de clavecin en concerts: Concert No. 4 in B-Flat Major: I. La pantomime (Loure un peu vive) | Jean-Philippe Rameau, London Baroque | A Major | 2 | 11B | 70 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 90 BPM | ||
Xerxes Ballet: Air pour les postures de Scaramouche | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 1 | 4B | 68 BPM |
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