Francesco Mancini, Dan Laurin, London Baroque's 'Recorder Sonata No. 12 in G Minor: I. Largo' came out on August 28, 2004. The duration of Recorder Sonata No. 12 in G Minor: I. Largo is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Recorder Sonata No. 12 in G Minor: I. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Stravaganza Napoletane". In this album, this song's track order is #1. In terms of popularity, Recorder Sonata No. 12 in G Minor: I. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Recorder Sonata No. 12 in G Minor: I. Largo by Francesco Mancini, Dan Laurin, London Baroque having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Trumpets in C Major, RV 537: I. Allegro | Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 2 | 1B | 111 BPM | ||
Recorder Sonata No. 3 in C Major: IV. Allegro | Francesco Barbella, Dan Laurin, London Baroque | B Major | 1 | 1B | 147 BPM | ||
Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM | ||
Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
9 Fantasia a 4: Fantazia a 4 in E Minor, Z. 741 | Henry Purcell, London Baroque | D♭ Minor | 1 | 12A | 135 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Sonata en quator: I. Gravement-vite | Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries | E Minor | 1 | 9A | 95 BPM | ||
Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): I. Allegro assai | Carl Philipp Emanuel Bach, London Baroque, Richard Egarr | F Major | 0 | 7B | 141 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Trio Sonata in E Minor, Op. 1, No. 2, RV 67: II. Corrente (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | A Major | 3 | 11B | 121 BPM |
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