"Sonata en quator: I. Gravement-vite" by Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries was released on February 5, 2013. The duration of Sonata en quator: I. Gravement-vite is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Sonata en quator: I. Gravement-vite's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi & Bach & Albinoni & Fasch & Dornel: Hoboconcerten (Oboe concertos) by Han De Vries. The song's track number on the album is #13 out of 24 tracks. In terms of popularity, Sonata en quator: I. Gravement-vite is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonata en quator: I. Gravement-vite by Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata en quator: I. Gravement-vite being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Suite in D Minor, HWV 448: III. Courante | George Frideric Handel, Fernando De Luca | D♭ Minor | 4 | 12A | 82 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Ouverture No. 2 in F Major (c 1715): VI. Menuett | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: IV. Vivace | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D Minor | 2 | 7A | 82 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM |
Section: 0.6810562610626221
End: 0.6853036880493164