Concerto a cinque No. 11, Op. 9: II. Adagio - Tomaso Albinoni, Paul Dombrecht, Il Fondamento Information

Acousticness: 87%
Danceability: 12%
Energy: 17%
Instrumentalness: 92%
Liveness: 23%
Loudness: 72%
Speechiness: 4%
Valence: 8%
Popularity: 14%
Loudness: -16.595 dB

Summary

"Concerto a cinque No. 11, Op. 9: II. Adagio" by Tomaso Albinoni, Paul Dombrecht, Il Fondamento was released on May 11, 2009. The duration of Concerto a cinque No. 11, Op. 9: II. Adagio is about 3 minutes long, at 3:26. Based on our data, "Concerto a cinque No. 11, Op. 9: II. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 24 in Albinoni: Concerti con oboe by Tomaso Albinoni, Paul Dombrecht, Il Fondamento. Concerto a cinque No. 11, Op. 9: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto a cinque No. 11, Op. 9: II. Adagio BPM

The tempo marking of Concerto a cinque No. 11, Op. 9: II. Adagio by Tomaso Albinoni, Paul Dombrecht, Il Fondamento is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Concerto a cinque No. 11, Op. 9: II. Adagio Key

This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sinfonia in A Major: III. Presto assai	Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek	A Major	3	11B	113 BPM
Bassoon Concerto in F Major, RV 488: III. Allegro	Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller	D♭ Minor	0	12A	93 BPM
Sinfonia in D Major, F. 64: I. Allegro e maestoso	Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon	D♭ Major	1	3B	97 BPM
Flute Concerto No. 3 in C Major: III. Allegro assai	Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin	B Major	1	1B	129 BPM
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro	Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone	C Minor	1	5A	129 BPM
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona	Giovanni Battista Vitali, London Baroque	E Major	1	12B	101 BPM
Concerto a 5 in G, Op.9, No.6 for 2 Oboes, Strings, and Continuo - Rev. Giegling: 1. Allegro	Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici, Maria Teresa Garatti	G Major	9	9B	124 BPM
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce	William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	1	6A	84 BPM
Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: II. Allegro	Europa Galante, Fabio Biondi	E Minor	3	9A	80 BPM
Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave	Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon	A Minor	1	8A	117 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6383533477783203

End: 0.6430249214172363