Claudio Monteverdi, Alfred Deller, Deller Consort made "Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade" available on May 19, 2009. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade by Claudio Monteverdi, Alfred Deller, Deller Consort is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Trio Sonatas, Op. 1, No. 9 in A Major, RV 75: IV. Corrente. Presto | Antonio Vivaldi, L'Estravagante | A♭ Major | 2 | 4B | 162 BPM | ||
Trio Sonata No. 1 in G Major: I. Moderato | Domenico Gallo, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: II. Adagio | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | D Minor | 0 | 7A | 82 BPM | ||
Concerto in G Major for Oboe, Strings and Basso continuo: II. Adagio | Giovanni Benedetto Platti, Frans Brüggen, L'arpa Festante | B Major | 1 | 1B | 103 BPM | ||
Trio Sonata in C Major, Op. 1, No. 3, RV 61: IV. Sarabanda (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco | Johann Friedrich Fasch, London Baroque | B Minor | 3 | 10A | 136 BPM | ||
Six Brandenburg Concertos, No. 3 in G Major, BWV1048: I. — | Johann Sebastian Bach, Rinaldo Alessandrini, Concerto Italiano | F♯ Major | 3 | 2B | 105 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: I. Andante e spiccato | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 0 | 12A | 115 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM |
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