Johann Friedrich Fasch, London Baroque made "Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco" available on May 28, 2013. The duration of Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Trio Sonata in 18th-Century Germany". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco by Johann Friedrich Fasch, London Baroque having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | ||
Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: III. Fuga | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 137 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Concerto Grosso, Op. 6, No. 01 in G Major (HWV 319): Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 135 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Trio Sonata in E Minor, Op. 1, No. 2, RV 67: II. Corrente (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | A Major | 3 | 11B | 121 BPM | ||
Overture in C Minor, TWV TWV 55:c4 | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B Minor | 1 | 10A | 179 BPM | ||
Bassoon Concerto in A Minor, RV 497: III. Allegro | Antonio Vivaldi, Ensemble Zefiro, Alfredo Bernardini | B Major | 2 | 1B | 131 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 1. Allegro | Antonio Lotti, Heinz Holliger, I Musici | A Major | 1 | 11B | 99 BPM | ||
Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM |
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