Michel Blavet, Musica Antiqua Köln, Reinhard Goebel's 'Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement' came out on January 1, 1983. The duration of Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement is about 3 minutes long, at 3:28. Based on our data, "Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 20 in French Baroque Concertos by Musica Antiqua Köln, Reinhard Goebel. In terms of popularity, Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement by Michel Blavet, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Sonata No. 1 in D Major: IV. Presto | Leonardo Vinci, Claudio Ferrarini | E Major | 1 | 12B | 71 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
12 Flute Sonatas (1724): Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 65 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
6 Sonates meleese de pieces, Op. 2: IV. Sonata in G minor "La Lumagne”: IV. Presto | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Major | 0 | 4B | 119 BPM | ||
Violin Concerto in D Major, Op. 3, No. 7: I. Presto - Largo - Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 2 | 10B | 117 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM |
Section: 0.7623593807220459
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