"La Vanità del mondo, Parte prima: XVIII. Aria "Piacere che muore" (Grazia)" by Pietro Torri, Ingrid Schmithusen, Musica Antiqua Köln, Reinhard Goebel was released on November 23, 2018. The duration of La Vanità del mondo, Parte prima: XVIII. Aria "Piacere che muore" (Grazia) is about 3 minutes long, at 3:05. Based on our data, "La Vanità del mondo, Parte prima: XVIII. Aria "Piacere che muore" (Grazia)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Torri: La Vanità del mondo". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Belgium. In terms of popularity, La Vanità del mondo, Parte prima: XVIII. Aria "Piacere che muore" (Grazia) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Vanità del mondo, Parte prima: XVIII. Aria "Piacere che muore" (Grazia) by Pietro Torri, Ingrid Schmithusen, Musica Antiqua Köln, Reinhard Goebel having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Riccardo primo, HWV 23: Act III - "Morte vieni" | Simone Kermes | E Minor | 1 | 9A | 195 BPM | ||
Concerto primo in G Major: I. Andante - Allegro | Baldassare Galuppi, Ensemble StilModerno | G Major | 2 | 9B | 122 BPM | ||
Mondonville : Dominus regnavit : II | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 81 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Rameau: Les Indes Galantes: "Viens, Hymen" (Phani) | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs | F♯ Major | 0 | 2B | 86 BPM | ||
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Alceste, LWV 50, Prologue: Rondeau pour la Gloire | Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques | B Major | 3 | 1B | 132 BPM | ||
Maddalena ai piedi di Cristo: No. 28 Duetto Amor Celeste, Amor Terreno "La mia virtude" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink, Andreas Scholl | A♭ Minor | 2 | 1A | 138 BPM | ||
Ismene: Son rosignolo | Pietro Torri, Dorothee Mields, Stefan Temmingh | E♭ Minor | 0 | 2A | 129 BPM |
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