On January 1, 2000, the song "Xerxes Ballet: Air pour les postures de Scaramouche" was released by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel. With Xerxes Ballet: Air pour les postures de Scaramouche being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel, Jacques Cordier, Michel Lambert, Robert Cambert's "Lully: Le Roi Danse - Original Motion Picture Soundtrack" album is number 10 out of 35. Xerxes Ballet: Air pour les postures de Scaramouche is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Xerxes Ballet: Air pour les postures de Scaramouche by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Philidor: La Marche des Mousquetaires | Andre Danican Philidor, La Simphonie Du Marais, Hugo Reyne | A♭ Major | 2 | 4B | 148 BPM | ||
Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 3. Vivace | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 129 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: L'entrée des Scaramouches, Trivelins et Arlequins (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D♭ Major | 2 | 3B | 111 BPM | ||
Partie (Suite) In G Major: 3. Gavotte | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 123 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Concerto in F Major, Seibel 234: 2. Adagio | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 113 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Partie (Suite) In G Major: 4. Courante | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 95 BPM | ||
Sonata VI "Chaconna", Z. 807 (from Ten Sonata's in Four Parts): Chacony in G minor (Z 807) | Henry Purcell, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 79 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM |
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