Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez made "Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché" available on January 19, 2018. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "The Forquerays, or the Torments of the Soul, Vol. 1". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché by Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Flute Concerto in D Minor, RV 431a "Il gran mogol": I. Allegro non molto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | D♭ Minor | 1 | 12A | 99 BPM | ||
Pieces de viole, Book 5: Suite in A Minor: X. Rondeau | Marin Marais, Wieland Kuijken, Kaori Uemura, Robert Kohnen | A♭ Minor | 0 | 1A | 108 BPM | ||
Organ Concerto No. 6 in B Flat Major, Op. 4, HWV 294 (Arr. for Harp): II. Larghetto | George Frideric Handel, Ursula Holliger, Trevor Pinnock, The English Concert | D Minor | 2 | 7A | 97 BPM | ||
Pieces de viole: Suite No. 1 in D Minor: I. Allemande, La Laborde: Noblement et avec Sentiment | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Eguez, Guido Morini | D♭ Minor | 0 | 12A | 107 BPM | ||
Concerto 1 in D Minor, Op. 7: I. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 92 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
La De Belombre, Vivement | Jacques Duphly, Elisabeth Joyé | C Minor | 4 | 5A | 113 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Livre 3: Médée | Jacques Duphly, Mario Raskin | E Minor | 5 | 9A | 131 BPM |
Section: 0.890794038772583
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