Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone's 'La Betulia liberata: Aria "Prigionier che fa ritorno"' came out on September 8, 2017. Since La Betulia liberata: Aria "Prigionier che fa ritorno" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 22 in Agitata by Accademia Bizantina, Ottavio Dantone, Delphine Galou. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, La Betulia liberata: Aria "Prigionier che fa ritorno"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Betulia liberata: Aria "Prigionier che fa ritorno" by Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Caelo Stele Clare Fulgescant: Alleluia | Nicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 3 | 4B | 0 BPM | ||
Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet | George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Concert d'Astrée, Natalie Dessay | B Major | 4 | 1B | 129 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (b) Libera eas de ore leonis | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | A Major | 2 | 11B | 114 BPM | ||
Mondonville : Dominus regnavit : II | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Minor | 1 | 5A | 81 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM | ||
Isis Opera In 5 Acts With Prologue / Prologue: C'est lui dont les dieux ont fait choix | Jean-Baptiste Lully, Ex Tempore, Musica Antiqua Köln, Reinhard Goebel | B Major | 3 | 1B | 93 BPM | ||
Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris" | Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 1 | 5A | 131 BPM | ||
Il Giustino, RV 717, Act I, Scene 8: Vedrò con mio diletto (Anastasio) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Silke Gäng | A Major | 0 | 11B | 168 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM |
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