On February 9, 2024, the song "Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet" was released by George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Concert d'Astrée, Natalie Dessay. The duration of Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet is about 3 minutes long, at 3:20. Based on our data, "Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel's "Handel: Sarabande, Hallelujah and Other Masterpieces" album is number 13 out of 41. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet by George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Concert d'Astrée, Natalie Dessay to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Offenbach: Orphée aux enfers, Act II: "Il m'a semblé sur mon épaule" (Eurydice, Jupiter) | Jacques Offenbach, Marc Minkowski, Laurent Naouri, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | F Major | 1 | 7B | 75 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Dardanus : Tambourins | Jean-Philippe Rameau, Emmanuelle Haïm, Le Concert d'Astrée | E♭ Major | 1 | 5B | 130 BPM | ||
Żebrowski: Magnificat: II. Quia respexit | Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis | E♭ Major | 1 | 5B | 80 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
Da Tempeste Il Legno Infranto (Cleopatre, Giulio Cesare) | George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé | E♭ Major | 3 | 5B | 129 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Messe in B Minor, BWV 232: No. 1, Kyrie eleison | Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski, Blandine Staskiewicz, Joanne Lunn, Julia Lezhneva, Lucy Crowe, Nathalie Stutzmann, Terry Wey, Markus Brutscher, Colin Balzer, Christian Immler, Luca Tittoto | B♭ Minor | 1 | 3A | 84 BPM | ||
Requiem in D minor, K.626: 2. Kyrie (II) | Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 3 | 8B | 92 BPM |
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