George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock made "Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro)" available on January 1, 1983. The duration of Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) is about 3 minutes long, at 3:21. Based on our data, "Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, The English Concert, Trevor Pinnock's "Handel: Water Music" album is number 1 out of 19. Based on our statistics, Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro)'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) by George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Symphony No.1 in B flat Major: 1. Allegro | William Boyce, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 180 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Handel: Arrival of the Queen of Sheba | George Frideric Handel, Emerald Ensemble, Paul Arden-Taylor, Imogen Triner, Roger Huckle | C Major | 2 | 8B | 140 BPM | ||
Water Music, Suites 2 & 3 in D/G, HWV 348: 10. Menuet (II) | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 130 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 1 "Kommt, ihr Töchter, helft mir klagen" | Johann Sebastian Bach, English Baroque Soloists, The Monteverdi Choir, The London Oratory Junior Choir, John Eliot Gardiner | E♭ Minor | 1 | 2A | 81 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM |
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