Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon made "Symphony in D Major, J-C 16: I. Alla breve" available on November 15, 2005. The duration of Symphony in D Major, J-C 16: I. Alla breve is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Symphony in D Major, J-C 16: I. Alla breve's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Sammartini, G.B.: Symphonies J-C 4, 9, 16, 23, 36, 62". In this album, this song's track order is #8. Symphony in D Major, J-C 16: I. Alla breve is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony in D Major, J-C 16: I. Alla breve by Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 18 in G Major, Hob.I:18: I. Andante moderato | Joseph Haydn, Toronto Chamber Orchestra, Kevin Mallon | A Major | 2 | 11B | 89 BPM | ||
The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 16 (Duet and Chorus) | Henry Purcell, Nils Brown, Michael Colvin, Paul Grindlay, Meredith Hall, Gillian Keith, Brett Polegato, Rosemarie van der Hooft, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064: I. - Allegro | Cologne Chamber Orchestra, Gerald Hambitzer, Robert Hill, Christoph Anselm Noll, Johann Sebastian Bach | C Major | 3 | 8B | 91 BPM | ||
Circe, Z. 575: Come Every Demon (Tenor, Chorus) | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 116 BPM | ||
Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: II. Allemanda | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 133 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 120 BPM | ||
Concerto 4 in F Major, Op. 7: I. Allegro moderato | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 3 | 12A | 95 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 127 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 0 | 8A | 90 BPM |
Section: 0.5601959228515625
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