"Alcidiane: Ritournelle et Recit de la Fortune chante par Mademoiselle Hilaire" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. The duration of Alcidiane: Ritournelle et Recit de la Fortune chante par Mademoiselle Hilaire is about 3 minutes long, at 3:21. Based on our data, "Alcidiane: Ritournelle et Recit de la Fortune chante par Mademoiselle Hilaire" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 5 out of 35. On top of that, Hong Kong appears to be the country where this track was created. Alcidiane: Ritournelle et Recit de la Fortune chante par Mademoiselle Hilaire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcidiane: Ritournelle et Recit de la Fortune chante par Mademoiselle Hilaire by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Missa Dei Filii, ZWV 20: Kyrie eleison (Coro) | Jan Dismas Zelenka, Frieder Bernius | A♭ Major | 0 | 4B | 83 BPM | ||
Essercizii musici: Trio in B-Flat Major, TWV 42:B4: I. Dolce | Georg Philipp Telemann, Dan Laurin, Mogens Rasmussen, Leif Meyer | A Major | 1 | 11B | 103 BPM | ||
La Bocanne compliquée | Jacques Cordier, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 107 BPM | ||
The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men" | Henry Purcell, Timothy Penrose, David Thomas, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Dixit Dominus, HWV 232: Virgam virtutis tuae | George Frideric Handel, Angela Kazimierczuk, Richard Wyn Roberts, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 2 | 12A | 146 BPM | ||
Dixit Dominus, HWV 232: 7. Judicabit in nationibus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | A Major | 4 | 11B | 111 BPM | ||
Les Indes galantes, Deuxième Entrée, Scène 5: "Clair flambeau..." (Huascar, Choeur) | Jean-Philippe Rameau, Bernard Deletré, Les Arts Florissants, William Christie | A♭ Major | 1 | 4B | 68 BPM | ||
Coronation Anthem - Let Thy Hand Be Strengthened: Let thy hand be strengthened | The Sixteen | F♯ Major | 1 | 2B | 113 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM |
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