- BPM
- 135
- Key
- F♯ Major
- Camelot
- 2B
The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men" - Henry Purcell, Timothy Penrose, David Thomas, English Baroque Soloists, John Eliot Gardiner Information
- Acousticness
- 91%
- Danceability
- 54%
- Energy
- 13%
- Instrumentalness
- 99%
- Liveness
- 14%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 91%
- Popularity
- 10%
- Loudness
- -26.899 dB
Summary
On January 1, 1982, the song "The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men"" was released by Henry Purcell, Timothy Penrose, David Thomas, English Baroque Soloists, John Eliot Gardiner. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 61 in the song's album "Purcell: The Fairy Queen". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men" BPM
With The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men" by Henry Purcell, Timothy Penrose, David Thomas, English Baroque Soloists, John Eliot Gardiner having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men" Key
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | |
 | Suite in C Minor, BWV 997 (Arr. for Lute & Recorder): IV. Gigue & Double | Johann Sebastian Bach, Dorothee Oberlinger, Edin Karamazov | B Minor | 1 | 10A | 128 BPM | |
 | Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | |
 | Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | |
 | Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: I. Vivace | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | D♭ Minor | 5 | 12A | 108 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | |
 | Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | |
 | Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | |
 | Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM |
- ISRC
- DEF058139907
- Label
- L-M Records/RCA Records
Section: 0.7081954479217529
End: 0.7128150463104248