- BPM
- 75
- Key
- D♭ Major
- Camelot
- 3B
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte - Robert de Visée, Jean Rondeau Information
- Acousticness
- 85%
- Danceability
- 40%
- Energy
- 21%
- Instrumentalness
- 63%
- Liveness
- 18%
- Loudness
- 58%
- Speechiness
- 3%
- Valence
- 60%
- Popularity
- 14%
- Loudness
- -25.397 dB
Summary
Robert de Visée, Jean Rondeau made "De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte" available on May 29, 2020. With De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 20 in Barricades by Jean Rondeau, Thomas Dunford. De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte BPM
The tempo marking of De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte by Robert de Visée, Jean Rondeau is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | |
 | Sonata a tre in re maggiore: III. Vivace | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 2 | 3B | 183 BPM | |
 | Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | |
 | Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | |
 | A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | |
 | Preludio I | Nicola Matteis, Gli Incogniti, Amandine Beyer | A Major | 4 | 11B | 76 BPM | |
 | Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | |
 | Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | |
 | Concerto grosso No. 4 in D Major, Op. 6: II. Adagio | Arcangelo Corelli, Freiburger Barockorchester, Gottfried Von Der Goltz | D♭ Major | 3 | 3B | 110 BPM | |
 | Trio Sonata in G Major, TWV 42:G10: IV. Allegro | Georg Philipp Telemann, London Baroque | B Minor | 3 | 10A | 136 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5681297779083252
End: 0.5743691921234131