Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse made "Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia)" available on March 20, 2006. The duration of Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) is about 3 minutes long, at 3:26. Based on our data, "Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 14 in Beata Vergine by Philippe Jaroussky, Ensemble Artaserse. In terms of popularity, Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) by Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | ||
Franck: Nocturne, FWV 85 | César Franck, Philippe Jaroussky, Jerome Ducros | D Major | 0 | 10B | 101 BPM | ||
Stabat Mater in F Minor, G. 532: I. Stabat Mater dolorosa. Grave assai | Luigi Boccherini, Núria Rial, Orchester Le Phenix | C Major | 0 | 8B | 104 BPM | ||
Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti | E♭ Minor | 1 | 2A | 105 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Hahn: Fêtes galantes (Mandoline) | Reynaldo Hahn, Philippe Jaroussky | F Major | 0 | 7B | 112 BPM | ||
Hahn: Offrande | Reynaldo Hahn, Philippe Jaroussky | C Major | 0 | 8B | 73 BPM | ||
Orlando Furioso, RV 728, Act I, Scene 5: Nel profondo | Antonio Vivaldi, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Ensemble Matheus | G Major | 3 | 9B | 132 BPM | ||
Schubert: Schwanengesang, D. 957: IV. Ständchen | Franz Schubert, Philippe Jaroussky, Jerome Ducros | B Major | 0 | 1B | 135 BPM | ||
Five Little Songs (Poèmes de R.L. Stevenson): My Ship and I | Reynaldo Hahn, Marie-Nicole Lemieux | B♭ Major | 1 | 6B | 95 BPM |
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