Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini made "Maddalena ai piedi di Cristo: No. 1 Sinfonia" available on 1996. The duration of Maddalena ai piedi di Cristo: No. 1 Sinfonia is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Maddalena ai piedi di Cristo: No. 1 Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 59 in Caldara: Maddalena ai piedi di Cristo by Antonio Caldara, René Jacobs. The popularity of Maddalena ai piedi di Cristo: No. 1 Sinfonia is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Maddalena ai piedi di Cristo: No. 1 Sinfonia by Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
La Clemenza di Tito: Ouverture | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs | C Major | 1 | 8B | 84 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Flute Concerto in D Minor, QV 5:81: I. Allegro e con spirito | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 92 BPM | ||
"Concerto Funebre" con hautbois sordini e salmoè, violino principale e viole da gamba (Si Bem. Maggiore, RV 579): II. Allegro poco poco | Antonio Vivaldi, Jordi Savall, Alfredo Bernardini, Manfredo Kraemer, Diego Montes, Le Concert Des Nations | E Major | 1 | 12B | 71 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Lully : Psyché : "Chantons les plaisirs charmants" [Chorus] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | C Major | 3 | 8B | 132 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Così fan tutte, K. 588: Act 1: Recitativo "Che Silenzio!" | Wolfgang Amadeus Mozart, Concerto Köln, Graciela Oddone, Pietro Spagnoli, René Jacobs | C Major | 1 | 8B | 72 BPM | ||
Purcell : King Arthur : Act 5 Chaconne | William Christie | E♭ Major | 0 | 5B | 125 BPM |
Section: 0.6657586097717285
End: 0.6711862087249756