William Christie made "Purcell : King Arthur : Act 5 Chaconne" available on 1995. The duration of Purcell : King Arthur : Act 5 Chaconne is about 3 minutes long, at 3:29. Based on our data, "Purcell : King Arthur : Act 5 Chaconne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #41. Based on our statistics, Purcell : King Arthur : Act 5 Chaconne's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Purcell : King Arthur : Act 5 Chaconne by William Christie having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | ||
Violin Sonata in D Minor, Op. 5 No. 12 "La follia": Adagio - Vars. 1-7 | Arcangelo Corelli, Trio Corelli | D♭ Major | 3 | 3B | 114 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 6: No. 9, Aria, "Di tacere e di schernirmi" (Serse) | George Frideric Handel, William Christie | F♯ Minor | 1 | 11A | 132 BPM | ||
Le triomphe de l'amour, LWV 59: Air d'Apollon | Jean-Baptiste Lully, Café Zimmermann, Pablo Valetti | F Minor | 1 | 4A | 125 BPM | ||
Sonata da camera, Op. 2 No. 11: I. Preludio | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | E♭ Major | 1 | 5B | 86 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Monteverdi: Madrigals, Book 8: Ballo, SV 154b | Claudio Monteverdi, L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 127 BPM | ||
Purcell : King Arthur : Act 3 "Thou doting fool" [Soprano] | William Christie | B♭ Major | 0 | 6B | 103 BPM | ||
Purcell : King Arthur : Act 3 "Great love, I know thee now" [Bass] | William Christie | E♭ Major | 1 | 5B | 78 BPM | ||
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM |
Section: 1.04616117477417
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