Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent's 'Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum"' came out on May 11, 2018. Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum" is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in Collegium Vocale Gent, Philippe Herreweghe's "Monteverdi: Vespro della Beata Vergine" album is number 6 out of 31. On top of that, Belgium appears to be the country where this track was created. Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum" by Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Paschalis, ZWV 7: Credo. Et incarnatus est | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Terry Wey, Cyril Auvity | F♯ Major | 0 | 2B | 128 BPM | ||
Officium Defunctorum. Missa pro defunctis: I. Introitus | Tomás Luis de Victoria, Collegium Vocale Gent, Philippe Herreweghe | G Major | 2 | 9B | 77 BPM | ||
Missa ex B: XXV. Hosanna in excelsis - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 111 BPM | ||
Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Vattene pur, crudel, con quella pace: 3a parte - Poi ch'ella in se torno, deserto e muto | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | F Major | 0 | 7B | 106 BPM | ||
Vespro della Beata Vergine, SV 206: VIII. Psalm "Nisi Dominus" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | D Major | 2 | 10B | 80 BPM | ||
S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 1 | 8B | 67 BPM | ||
Bach, JS: Nach dir, Herr, verlanget mich, BWV 150: No. 6, Chor. "Meine Augen sehen stets zu dem Herrn" | Johann Sebastian Bach, Gustav Leonhardt, Collegium Vocale Gent, Knabenchor Hannover, Leonhardt-Consort | D♭ Minor | 2 | 12A | 123 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 2. Evangelista, Jesus "Da Jesus diese Rede vollendet hatte" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Franz-Joseph Selig, Philippe Herreweghe | B♭ Minor | 0 | 3A | 78 BPM | ||
Befiehl dem Engel, daß er komm, BuxWV 10 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | A Major | 1 | 11B | 88 BPM |
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