"Vattene pur, crudel, con quella pace: 3a parte - Poi ch'ella in se torno, deserto e muto" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on January 18, 2004. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi, C.: Madrigals, Book 3 (Il Terzo Libro De' Madrigali, 1592)" album is number 10 out of 20. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Vattene pur, crudel, con quella pace: 3a parte - Poi ch'ella in se torno, deserto e muto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vattene pur, crudel, con quella pace: 3a parte - Poi ch'ella in se torno, deserto e muto by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Toccata | Claudio Monteverdi, Emmanuelle Haïm, Le Concert d'Astrée | E♭ Major | 3 | 5B | 133 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 1 | 11A | 114 BPM | ||
Vespers of 1610: Laudate pueri | Claudio Monteverdi, Grace Davidson, Charlotte Mobbs, Mark Dobell, Simon Berridge, Jeremy Budd, Ben Davies, Eamonn Dougan, Harry Christophers, The Sixteen | G Major | 1 | 9B | 72 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM |
Section: 0.7130014896392822
End: 0.718101978302002