"Befiehl dem Engel, daß er komm, BuxWV 10" by Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux was released on 2007. With this song being about 5 minutes long, at 5:07, "Befiehl dem Engel, daß er komm, BuxWV 10" by Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 6 in Buxtehude: Sacred Cantatas by Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Befiehl dem Engel, daß er komm, BuxWV 10 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Befiehl dem Engel, daß er komm, BuxWV 10 by Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Terzo Libro di madrigali, SV 60–74: Poi ch’ella in sé tornò (Part III) | Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Sean Clayton, Lisandro Abadie | B Major | 0 | 1B | 92 BPM | ||
Cantata, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott": I. Chorus. Herr Jesu Christ, wahr’ Mensch und Gott | Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Hannah Morrison, Carlos Mena, Hans-Jörg Mammel, Mathias Vieweg | D♭ Minor | 3 | 12A | 122 BPM | ||
Herr Gott dich loben wir, TWV 11:15a/b: Chorale: Taglich, Herr Gott, wir loben dich | Georg Philipp Telemann, Hannah Morrison, Margot Oitzinger, Markus Schäfer, Immo Schroder, Matthias Vieweg, Christos Pelekanos, Kleine Konzert, Das, Hermann Max | F♯ Major | 1 | 2B | 138 BPM | ||
Stabat Mater in G Minor: V. Vidit suum | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Major | 2 | 1B | 81 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
Missa Quadragesimalis, MH 552: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 40 BPM | ||
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
Pasión: Vere Languóres. Alto Solo. | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Petite messe solennelle: V. Gloria. Et in terra pax hominibus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | G Major | 1 | 9B | 102 BPM |
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