Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent's 'Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem"' came out on May 11, 2018. With Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Collegium Vocale Gent, Philippe Herreweghe's "Monteverdi: Vespro della Beata Vergine" album is number 8 out of 31. On top of that, Belgium appears to be the country where this track was created. Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" by Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecce vicit Leo | Peter Philips, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 2 | 6B | 118 BPM | ||
Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" | Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent | B♭ Minor | 0 | 3A | 75 BPM | ||
Paulus: II. Teil: Nr. 28 Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 87 BPM | ||
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
Auferstehungshistorie, SWV 50: (Conclusio) Gott sei Dank, Victoria! | Heinrich Schütz, Ensemble Polyharmonique | D♭ Major | 1 | 3B | 73 BPM | ||
N'est-ce pas un grand desplaisir, NJE 29.17 | Josquin des Prez, Graindelavoix, Björn Schmelzer | A♭ Minor | 3 | 1A | 82 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto "Israel, hoffe auf den Herren" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: III. Hark! hark! Each Tree | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze, Jonathan Arnold | D♭ Major | 1 | 3B | 73 BPM | ||
Missa in h-moll, BWV 232, Credo "Symbolum nicenum": V. Crucifixus | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | B Major | 1 | 1B | 125 BPM |
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