Peter Philips, The Monteverdi Choir, John Eliot Gardiner made "Ecce vicit Leo" available on May 27, 2014. The duration of Ecce vicit Leo is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Ecce vicit Leo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vigilate! by The Monteverdi Choir, John Eliot Gardiner. The song's track number on the album is #1 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Ecce vicit Leo is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Ecce vicit Leo by Peter Philips, The Monteverdi Choir, John Eliot Gardiner has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Ecce vicit Leo being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: King Arthur, Z. 628, Act 2: "Hither, this way, this way bend" (Philidel, Chorus) | Henry Purcell, John Eliot Gardiner, Gillian Fisher, English Baroque Soloists | D♭ Minor | 0 | 12A | 84 BPM | ||
Purcell: King Arthur, Z. 628, Act 4: "How happy the lover ... For love ev'ry creature" (Nymphs, Men, Chorus) | Henry Purcell, John Eliot Gardiner, Ashley Stafford, Elisabeth Priday, Gillian Fisher, Jennifer Smith, Paul Elliott, Stephen Varcoe, English Baroque Soloists | F♯ Minor | 0 | 11A | 108 BPM | ||
Letamini in Domino | Philippe Verdelot, Ora Singers | F♯ Major | 0 | 2B | 95 BPM | ||
Wir danken dir, Gott, wir danken dir, BWV 29: Chorale. Wir danken dir, Gott (Chorus) | Johann Sebastian Bach, Hana Blaziková, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 3 | 3B | 60 BPM | ||
Gluck : Iphigénie en Aulide : Act 1 "Nommez-nous la victime" [Chorus] | Christoph Willibald Gluck, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 3 | 5B | 117 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
Dixit Maria | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 106 BPM | ||
Now the Powers of Heaven | Giuseppe Sarti, Estonian Philharmonic Chamber Choir, Paul Hillier | B Major | 1 | 1B | 65 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Ecce sacerdos magnus, WAB 13 | Anton Bruckner, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner, Matthew Jorysz | A Minor | 1 | 8A | 88 BPM |
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