"Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum"" by Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent was released on May 11, 2018. Since Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Collegium Vocale Gent, Philippe Herreweghe's "Monteverdi: Vespro della Beata Vergine" album is number 13 out of 31. On top of that, Belgium appears to be the country where this track was created. Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" by Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater RV 621: IV. Qui est Homo | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | F Minor | 1 | 4A | 114 BPM | ||
Mass A 5: Kyrie | Oxford Camerata, William Byrd | C Minor | 1 | 5A | 127 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
Der Herr ist mit mir, BuxWV 15 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 72 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Dixit Dominus, HWV 232: De torrente in via bibet | George Frideric Handel, Elin Manahan Thomas, Grace Davidson, Harry Christophers, The Sixteen | B Minor | 1 | 10A | 74 BPM |
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