"Mass A 5: Kyrie" by Oxford Camerata, William Byrd was released on July 10, 1992. With Mass A 5: Kyrie being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of William Byrd: Masses For Four And Five Voices by Oxford Camerata. The song's track number on the album is #7 out of 11 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Mass A 5: Kyrie's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mass A 5: Kyrie by Oxford Camerata, William Byrd has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Mass A 5: Kyrie being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Civitas sancti tui | William Byrd, Contrapunctus, Owen Rees | G Major | 1 | 9B | 138 BPM | ||
Amen, And with thy spirit | USSR Ministry of Culture Chamber Choir, Valery Polyansky | C Major | 1 | 8B | 136 BPM | ||
Pastyme with good company: Pastime with Good Company | Henry VIII, Oxford Camerata, Jeremy Summerly | C Major | 1 | 8B | 79 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Mass A 4: Gloria | Oxford Camerata, William Byrd | A♭ Major | 1 | 4B | 135 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Vespers (All-Night Vigil), Op.37: 3. "Blazhen muzh" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 0 | 7B | 104 BPM | ||
And the Swallow | Caroline Shaw, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | B♭ Minor | 1 | 3A | 90 BPM |
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