Philippe de Vitry, Sequentia's 'Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette)' came out on March 22, 2005. With Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 20 in DHM Splendeurs: Vitry: Motets Et Chansons by Philippe de Vitry, Sequentia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) by Philippe de Vitry, Sequentia is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vos quid admiramini / Gratissima / Gaude gloriosa | Philippe de Vitry, Estampie | B♭ Major | 1 | 6B | 87 BPM | ||
Angelica biltà | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 81 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Caritas habundat in omnia | Hildegard von Bingen, Sequentia, Barbara Thornton | D Minor | 1 | 7A | 83 BPM | ||
Nigra sum sed formosa II | Jean L'héritier, The Choir of King's College London, Gareth Wilson | G Major | 1 | 9B | 92 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Messe de Notre-Dame: X. Agnus Dei | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F♯ Major | 1 | 2B | 87 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Bella bis quinis | Anicius Manlius Severinus Boethius, Sequentia | A♭ Minor | 2 | 1A | 67 BPM | ||
The Noble Joseph | Men's Chamber Choir of Sofia | C Major | 3 | 8B | 80 BPM |
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