"Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass)" by Giovanni Gabrieli, Eric Crees, London Symphony Brass was released on September 26, 1997. The duration of Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Gabrieli, Eric Crees's "Gabrieli: Music for Brass, Vol. 1" album is number 13 out of 16. In terms of popularity, Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) by Giovanni Gabrieli, Eric Crees, London Symphony Brass to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matona mia cara | Orlande de Lassus, Capilla Flamenca, Karl-Ernst Schröder | F♯ Major | 1 | 2B | 113 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Art of the Fugue, BWV 1080 (Arr. A. Frackenpohl for Brass Quintet): Contrapunctus II | Johann Sebastian Bach, Canadian Brass | D Minor | 1 | 7A | 130 BPM | ||
Water Music Suite No.1 In F, HWV 348: 8. Hornpipe | George Frideric Handel, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 116 BPM | ||
Hymnus: Ave maris stella | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | D Minor | 3 | 7A | 101 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble | F Major | 1 | 7B | 83 BPM | ||
Suite in G Major: I. Prelude | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 100 BPM |
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