Johann Sebastian Bach, Gustav Leonhardt, Collegium Vocale Gent, Knabenchor Hannover, Leonhardt-Consort made "Bach, JS: Nach dir, Herr, verlanget mich, BWV 150: No. 6, Chor. "Meine Augen sehen stets zu dem Herrn"" available on 1983. The duration of Bach, JS: Nach dir, Herr, verlanget mich, BWV 150: No. 6, Chor. "Meine Augen sehen stets zu dem Herrn" is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Bach, JS: Nach dir, Herr, verlanget mich, BWV 150: No. 6, Chor. "Meine Augen sehen stets zu dem Herrn"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 75 out of 141 in Bach : Sacred Cantatas Vol.8 : BWV 138-140, 143-159, 161-162 by Johann Sebastian Bach, Nikolaus Harnoncourt, Gustav Leonhardt, Concentus Musicus Wien, Leonhardt-Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Bach, JS: Nach dir, Herr, verlanget mich, BWV 150: No. 6, Chor. "Meine Augen sehen stets zu dem Herrn"'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Nach dir, Herr, verlanget mich, BWV 150: No. 6, Chor. "Meine Augen sehen stets zu dem Herrn" by Johann Sebastian Bach, Gustav Leonhardt, Collegium Vocale Gent, Knabenchor Hannover, Leonhardt-Consort is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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