"Concerto in D Minor, Op.7, No.4: I. Adagio" by George Frideric Handel, Academy of Ancient Music, Richard Egarr was released on August 11, 2009. With this song being about 5 minutes long, at 4:45, "Concerto in D Minor, Op.7, No.4: I. Adagio" by George Frideric Handel, Academy of Ancient Music, Richard Egarr is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Academy of Ancient Music, Richard Egarr's "Handel: Organ Concertos, Op. 7" album is number 14 out of 32. Concerto in D Minor, Op.7, No.4: I. Adagio is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in D Minor, Op.7, No.4: I. Adagio by George Frideric Handel, Academy of Ancient Music, Richard Egarr to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ottone: Aria: Bel labro formato per farmi beato | George Frideric Handel, Nicola Francesco Haym, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Minor | 3 | 12A | 82 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM | ||
Water Music Suite No. 3 in G Major, HWV 350: Menuet & Trio | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 118 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: I. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | A Minor | 1 | 8A | 116 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM | ||
Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement | Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | B Major | 2 | 1B | 113 BPM |
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