Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck made "Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen"" available on December 1, 2003. With Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 15 in Dieterich Buxtehude: In dulci jubilo by Dietrich Buxtehude, Les Favorites, Vocalensemble Rastatt, Holger Speck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" by Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Largo | Cologne Chamber Orchestra | E Minor | 0 | 9A | 103 BPM | ||
Sonate in D minor: II. Fugue | Anne Danican Philidor, Dorothee Oberlinger | D♭ Minor | 2 | 12A | 141 BPM | ||
Sonata Decima à 5 en fa majeur | Johann Rosenmüller, Ensemble Masques, Olivier Fortin | E Major | 2 | 12B | 129 BPM | ||
Sonate in D minor: I. Lentement | Anne Danican Philidor, Dorothee Oberlinger | D♭ Minor | 1 | 12A | 52 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: II. Allaman | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734): No. 1, Violin Sonata in A Major, B.A14 / GT 2.A14: I. Grave | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Il Prigionier Superbo: I. 01 Allegro e spirituoso | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 3 | 3B | 158 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 32, Dir, dir Jehova, will ich singen, BWV 452 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM |
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