Marin Marais, Ensemble Amalia's 'Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille' came out on September 15, 2023. The duration of Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille is about 3 minutes long, at 3:27. Based on our data, "Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, Ensemble Amalia's "Marais: Trois suites en trio" album is number 10 out of 32. On top of that, France appears to be the country where this track was created. In terms of popularity, Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille by Marin Marais, Ensemble Amalia to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Libro quarto d'intavolatura di chitarone: No. 1, Toccata prima | Giovanni Girolamo Kapsberger, Rolf Lislevand, Eduardo Egüez, Brian Feehan, Lorenz Duftschmid | D Minor | 1 | 7A | 113 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Harpsichord Concerto in A Major: Harpsichord Concerto in A Major: I. Allegro | Carlos Seixas, Andreas Staier, Orquestra barroca Casa da Música | A♭ Major | 2 | 4B | 123 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Stabat Mater, RV 621: VIII. Fac ut ardeat | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E Minor | 1 | 9A | 66 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Premiere suite in D Minor: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Minor | 1 | 12A | 116 BPM | ||
Passacaille en sol mineur | Francesco Corbetta, Rolf Lislevand | F♯ Minor | 1 | 11A | 89 BPM | ||
Adue Sweet Love | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 110 BPM |
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