"Gott Hilf Mir, BuxWV 34: Aria "Ach ja, mein Gott, ich hoff auf dich"" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg was released on March 29, 2019. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 49 out of 50 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Gott Hilf Mir, BuxWV 34: Aria "Ach ja, mein Gott, ich hoff auf dich" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gott Hilf Mir, BuxWV 34: Aria "Ach ja, mein Gott, ich hoff auf dich" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in D Major, BWV 243: V. Quia fecit mihi magna | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Stephan MacLeod | F♯ Major | 2 | 2B | 80 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Then Svenska Messan, HRV 404: Herre förbarma tig öfver oss | Johan Helmich Roman, Göteborg Baroque, Magnus Kjellson | A Minor | 1 | 8A | 87 BPM | ||
Laudate pueri, HWV 237: V. Quis sicut Dominus | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Symphoniæ Sacræ II, Op. 10, SWV 341-367: Was betrübst du dich, SWV 353 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias | G Minor | 2 | 6A | 117 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 5, Arie "Der Gott, dem alle Himmelskreise" (Tochter Zion) | Georg Philipp Telemann, Brigitte Christensen, Akademie für Alte Musik Berlin, René Jacobs | A♭ Minor | 1 | 1A | 69 BPM | ||
Credo in F Major: II. Crucifixus à 8 | Antonio Lotti, Le Palais royal, Jean-Philippe Sarcos | B Minor | 2 | 10A | 101 BPM |
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