George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle made "Laudate pueri, HWV 237: V. Quis sicut Dominus" available on March 29, 2024. With Laudate pueri, HWV 237: V. Quis sicut Dominus being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle's "Handel: Dixit Dominus, Laudate pueri, Nisi Dominus" album is number 20 out of 23. On top of that, France appears to be the country where this track was created. In terms of popularity, Laudate pueri, HWV 237: V. Quis sicut Dominus is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Laudate pueri, HWV 237: V. Quis sicut Dominus by George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in D-Dur, KV194: Agnus Dei | Chor und Orchester von St. Augustin, Klemens Sander, Cornelia Horak, Andreas Pixner, Martina Steffl, Alexander Kaimbacher | D Major | 1 | 10B | 99 BPM | ||
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Lobet Gott in seinen Reichen (Chorus) | Johann Sebastian Bach, Yukari Nonoshita, Patrick Van Goethem, Jan Kobow, Chiyuki Urano, Bach Collegium Japan, Masaaki Suzuki | F♯ Major | 1 | 2B | 77 BPM | ||
Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Gottes Zeit ist der allerbeste Zeit "Actus Tragicus", BWV 106: Coro | Johann Sebastian Bach, Philippe Pierlot, Katharine Fuge, Jan Kobow, Stephan MacLeod, Ricercar Consort, Carlos Mena | G Major | 1 | 9B | 66 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Ich harre des Herrn (Chorus) | Johann Sebastian Bach, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 1 | 2B | 88 BPM | ||
Messiah, HWV 56: Part 2: Their sound is gone out (Chorus) | Nikolaus Harnoncourt | D Major | 3 | 10B | 86 BPM | ||
Magnificat, ZWV 108: Magnificat anima mea Dominum | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Suite in D Minor, HWV 449: II. Allemande | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
Ode for the Birthday of Queen Anne (Eternal source of light divine): 2. The day that gave great Anna birth | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Stephen Cleobury, Susan Gritton, Robin Blaze, Daniel Hyde, Alastair Ross, Pavlo Beznosiuk, Michael George | D♭ Major | 2 | 3B | 95 BPM |
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