"Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus]" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg was released on March 29, 2019. With Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus] being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 50 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus] by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem "Misa": XIV. Comunion. Lux aeterna | José de Nebra, Coro Victoria, Schola Antiqua, La Madrileña, José Antonio Montaño | F♯ Major | 2 | 2B | 71 BPM | ||
Qual mormorio giocondo: Recitative: Cosi dell'alma mia | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Pièces de viole, Tournus Manuscript: No. 93. Courante | Monsieur de Sainte-Colombe, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 13, Deth - Version with Tanpura - Improvisations on the Sarangi | Tobias Hume, Dhruba Ghosh, Philippe Pierlot, Roselyne Simpelaere | B♭ Minor | 2 | 3A | 137 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 11. Harke, Harke | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
O quan gloriosum | Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego | B Major | 1 | 1B | 115 BPM | ||
LOrfeo, SV318: Signor, Quellinfelice | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Missa Quadragesimalis, MH 552: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 40 BPM | ||
Pasión: Pater, In manus Tuas | Anónimo, Ensamble Moxos, Raquel Maldonado | D♭ Minor | 4 | 12A | 89 BPM | ||
Stabat Mater, P. 77: VI. Vidit suum | Giovanni Battista Pergolesi, Shira Patchornik, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM |
Section: 0.5483310222625732
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