Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu's 'Deus, qui beatum Marcum a 10, C. 36' came out on October 1, 2013. The duration of Deus, qui beatum Marcum a 10, C. 36 is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Deus, qui beatum Marcum a 10, C. 36's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Gabrieli, Wim Becu, Gesualdo Consort Amsterdam, Oltremontano's "Gabrieli: Sacrae Sympnoniae" album is number 1 out of 16. On top of that, Germany appears to be the country where this track was created. Deus, qui beatum Marcum a 10, C. 36 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Deus, qui beatum Marcum a 10, C. 36 by Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Gabrieli, G: Sacrae symphoniae, Liber I: No. 10, Domine exaudi orationem meam, C. 15 | Giovanni Gabrieli, Michel Corboz, Coro Gulbenkian, Orquestra Gulbenkian | F Major | 1 | 7B | 82 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM | ||
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: a. Respond. Tristis est anima mea | Carlo Gesualdo, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 88 BPM | ||
Tenebrae Responsories for Maundy Thursday: In monte Oliveti: d. Presa. Spiritus quidem promptus est | Carlo Gesualdo, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
Pater noster - Ave Maria | Josquin des Prez, Cappella Amsterdam, Daniel Reuss | D Minor | 2 | 7A | 137 BPM | ||
Auferstehungshistorie, SWV 50: (Conclusio) Gott sei Dank, Victoria! | Heinrich Schütz, Ensemble Polyharmonique | D♭ Major | 1 | 3B | 73 BPM | ||
Qui confidunt | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A Minor | 1 | 8A | 82 BPM |
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