"Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent was released on October 7, 2013. The duration of Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent's "Gesualdo: Responsoria 1611" album is number 5 out of 29. Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere a 9: No. 7, Ne projicias me - Redde mihi laetitiam | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | ||
Prima die Lectio prima: IX. Viae Sion lugent | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 91 BPM | ||
Brumel: Lamentations of Jeremiah - 3. Jerusalem | Antoine Brumel, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 174 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Paulus: I. Teil: Nr. 10 Chor "Siehe, wir preisen selig die erdultet haben" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | G Major | 1 | 9B | 145 BPM | ||
Lamentations Of Jeremiah | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Maundy Thursday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Damien Guillon, Collegium Marianum | E Major | 0 | 12B | 123 BPM | ||
Officium Defunctorum. Missa pro defunctis: I. Introitus | Tomás Luis de Victoria, Collegium Vocale Gent, Philippe Herreweghe | G Major | 2 | 9B | 77 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Laus Deo | Anonymous, Capilla Flamenca | C Major | 1 | 8B | 75 BPM |
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