"Brumel: Lamentations of Jeremiah - 3. Jerusalem" by Antoine Brumel, Peter Phillips, The Tallis Scholars was released on August 28, 2015. The duration of Brumel: Lamentations of Jeremiah - 3. Jerusalem is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Brumel: Lamentations of Jeremiah - 3. Jerusalem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Perfect Polyphony". In this album, this song's track order is #37. The popularity of Brumel: Lamentations of Jeremiah - 3. Jerusalem is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Brumel: Lamentations of Jeremiah - 3. Jerusalem by Antoine Brumel, Peter Phillips, The Tallis Scholars having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Quae est ista (arr. D. Skinner for choir) | Antoine Brumel, David Skinner, Alamire | D Minor | 2 | 7A | 133 BPM | ||
Motet - Sicut lilium | Antoine Brumel, Orlando Consort | D Major | 0 | 10B | 79 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Sfogava con le stelle | Claudio Monteverdi, La Venexiana | A Minor | 1 | 8A | 131 BPM | ||
Chanson: Innsbruck, ich muß dich lassen | Heinrich Isaac, Jordi Savall | F Major | 1 | 7B | 132 BPM | ||
Tavener: Funeral Ikos | John Tavener, Choir of King's College, Cambridge, Stephen Cleobury | A♭ Major | 0 | 4B | 106 BPM | ||
Pavana II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 115 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM |
Section: 0.5248801708221436
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