"Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam"" by Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. The duration of Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 1 out of 50. On top of that, Belgium appears to be the country where this track was created. Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" by Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Quis Est Homo | Andreas Scholl | D Minor | 0 | 7A | 180 BPM | ||
Oboe Concerto in E Minor, TWV 51:e1: II. Allegro molto | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | F♯ Major | 4 | 2B | 126 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 116 BPM | ||
Confitemini Domino: I. Confitemini Domino | Anonymous, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 75 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | E Minor | 0 | 9A | 71 BPM | ||
Demütiget euch nun, GWV 1144/12: Duet | Christoph Graupner, Miriam Feuersinger, Franz Vitzthum, Capricornus Consort Basel, Péter Barczi | E Major | 3 | 12B | 89 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Orlando furioso, RV 728 / Act 1: "Sol da te, mio dolce amore" | Antonio Vivaldi, Cecilia Bartoli, Jean-Marc Goujon, Ensemble Matheus, Jean-Christophe Spinosi | E Minor | 1 | 9A | 69 BPM |
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