"Stabat Mater" by Andreas Scholl was released on November 1, 2010. The duration of Stabat Mater is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Stabat Mater's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andreas Scholl's "Marco Rosano: Stabat Mater" album is number 1 out of 13. Stabat Mater is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater by Andreas Scholl to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Komm du süsse Todesstunde, Cantata BWV 161: 4. Recit: "Der Schluss ist schon gemacht" | Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder | B Major | 1 | 1B | 90 BPM | ||
Rodelinda, HWV 34 / Act 3: "Vivi, tiranno, io t'ho scampato" | George Frideric Handel, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | A Major | 2 | 11B | 121 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Missa Papae Marcelli: Kyrie | Giovanni Pierluigi da Palestrina, Oxford Camerata, Jeremy Summerly | A Major | 2 | 11B | 136 BPM | ||
Moro, lasso, al mio duolo | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | F Major | 0 | 7B | 139 BPM |
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