Maurice Ravel, Todd Levy, Jeannie Yu's 'Vocalise-étude en forme de Habanera, M.51' had a release date set for November 11, 2016. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Rhapsodie: 20th-Century Clarinet Classics". In this album, this song's track order is #15. Vocalise-étude en forme de Habanera, M.51 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vocalise-étude en forme de Habanera, M.51 by Maurice Ravel, Todd Levy, Jeannie Yu having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cancons i danses: Canco i dansa No. 6 | Federico Mompou, Olena Kushpler | E♭ Minor | 1 | 2A | 64 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
All in the Past | Georgs Pelēcis, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 0 | 7A | 58 BPM | ||
3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
Romanian Folk Dances Sz. 56: III. In One Spot | Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra | C Major | 1 | 8B | 60 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | ||
Angelico | Federico Mompou, Remy Van Kesteren | A Minor | 0 | 8A | 136 BPM |