"All in the Past" by Georgs Pelēcis, Martin Fröst, Royal Stockholm Philharmonic Orchestra was released on December 4, 2015. The duration of All in the Past is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. All in the Past's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Roots". In this album, this song's track order is #21. All in the Past is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All in the Past by Georgs Pelēcis, Martin Fröst, Royal Stockholm Philharmonic Orchestra having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
Gluck / Arr Kreisler: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Camille Berthollet, Guillaume Vincent | D Minor | 1 | 7A | 78 BPM | ||
Piano Concerto Emperor | Lima Musica | A Major | 1 | 11B | 82 BPM | ||
Massenet: Thaïs, Act 2: Méditation | Jules Massenet, Min Kym | D Major | 1 | 10B | 95 BPM | ||
7 Canciones populares españolas - Arranged by Mischa Maisky: No.5: Nana | Manuel de Falla, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Gluck / Arr Siloti: Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Christoph Willibald Gluck, Alexandre Tharaud | B♭ Minor | 0 | 3A | 77 BPM |
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