"Ravel: Pavane pour une infante défunte, M. 19" by Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra was released on January 1, 1992. Ravel: Pavane pour une infante défunte, M. 19 is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Ravel : Orchestral works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Ravel: Pavane pour une infante défunte, M. 19 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Pavane pour une infante défunte, M. 19 by Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM | ||
Prélude à l'après-midi d'un faune, L. 86: Prélude à l'après-midi d'un faune | Claude Debussy, Concertgebouworkest, Bernard Haitink | A♭ Minor | 1 | 1A | 86 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
La plus que lente, L. 121 | Claude Debussy, Daniel Barenboim | F♯ Major | 0 | 2B | 69 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Myron Bloom, Orchestre de Paris, Daniel Barenboim | G Major | 0 | 9B | 76 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM |
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